ShopDreamUp AI ArtDreamUp
Deviation Actions
Literature Text
(We open upon a castle in a dark and seemingly dead land. The Red Death ravages the land,
killing all outside of the castle walls. Inside, HttC holds a masquerade ball for his
friends whom he is keeping safe from the ravages of the Red Death, yet he refuses to let
anyone else in. The guests are dressed in costumes that range from the humorous to the
macabre. They dance, laugh and make merry, a cruel contrast to the wretched fate held upon
the peasants of the land. We see that HttC is a bit uneasy…)
HttC: Damn him, there he is again! That inconsiderate… Never mind. I shall find out who he
is soon enough, for now I must review the 1964 Vincent Price film, Masque of the Red
Death!
A European prince terrorizes the local peasantry while using his castle as a refuge
against the "Red Death" plague that stalks the land. I love the work of Edgar Allen Poe,
really who doesn't? His tales are dark and scary, filled with great stories, characters
and horror. Through the years some of his work has been adapted to film, and for the most
part they really haven't been true to his tales. However, only man has come close to near
perfection, and that man is B-Movie Legend Roger Corman. Corman has adapted quite a few
works of Poe's to the silver screen, such as The Raven, The Pit and the Pendulum and Fall
of the House of Usher. However, he's never 100% accurate with them, having to throw in
other Poe stories in as well as adding his own ideas or completely deviating from the plot
of the original tale in general. Though can we blame him? Masque of the Red Death, though
an excellent story, wouldn't transition well to the big screen, hell it probably wouldn't
even be an hour long if they got every little detail of it in the movie. So Corman has to
build upon the story, adding other Poe stories in as well as adding in new characters,
characteristics and themes. First thing most Poe fans will realize is that Prince Prospero
is vastly different here then the story. In the story Prospero was just cruel. That fact
remains, however he is now also a Satanist. I actually feel this works well in the movies
favor, giving us a sort of logical reason behind Prospero's immense cruelty other than
simply "He's royalty." It also makes his character more intimidating, seeing that his
Satanic beliefs make him incredibly sadistic and vile, taking pure joy in seeing people
suffer or die. It doesn't even matter who, his best friends could be suffering and
Prospero would just have a joyous time at his friend's unfortunate expense. Another new
addition is… Son of bitch, there he is again! Why that fiend, I swear if he offends
anyone… I'll get back to him… Anyway, another new addition is a subplot based on another
Poe story entitled "Hop Frog". Hop Frog was a story about a little person from a far away
land who was a slave to a cruel king who loved to play cruel pranks. One day when his
friend is insulted, Hop Frog goes about his vengeance on the king and his councilors. That
story, quite frankly, fits perfectly in with the main plot and feels just right. It moves
smoothly and doesn't veer off from the main plot at all. It even follows that tale almost
down to a tee. There are a few new characters as well, each actually serving a purpose and
contributing to the plot. First we have our three main protagonists: Francesca, her father
and her husband Gino. After destroying their village for shits and giggles, Prospero takes
Francesca and her family back to his castle, Francesca becoming a sort of lustful symbol
to Prospero. Francesca goes through quite a bit of character development through the story
as we see her spirit and faith are slowly breaking, up until she nearly accepts Prospero's
beliefs. Too me, Gino and his father in law don't seem to do all too much, and yet I
actually feel sorry for them at many points, perhaps it's Prospero's immense cruelty
towards them that does it. Lastly, we have Juliana, Prospero's… wife? Fiancé? I dunno, but
she's close to Prospero. She doesn't seem to serve too much of a purpose other than to get
the ball rolling a bit, although there is a really interesting scene in the movie when she
"marries" The Lord of the Flies and has a psychedelic dream about being knifed to death by
multiple men from different cultures from around the world. The acting is quite good in
the movie. Price, as always, steals the whole show, however I feel his acting is different
here. You know how in most of his movies he speaks with a sort of charm in his voice?
Making him seem like an incredibly kind and sophisticated man despite being (in his
villainous roles at least) a murderer. Well, he doesn't really have that charm here, which
makes sense. Prospero is a bastard and he damn well knows it, so he doesn't have to hide
behind some façade to seem like a nice guy to people who don't him. He's acts cold and
cruelly throughout the entire film, and he just does a wonderful job at it. Everyone else
does a fine job as well, but really they all do pale next to Price. The set pieces for
Masque are just incredible. The castle's interior looks nice, with Corman actually getting
Prospero's multiple colored rooms down correctly and beautifully, but it's the exterior I
that's truly grand. The outside world reminds me of the old days when Dracula and
Frankenstein were kings, with vast, dark and eerie landscapes and dead forests. It's a
wondrous sight to behold indeed. Another thing I like is in the beginning when we're first
introduced to the Red Death. We open with an old woman gathering sticks for fire wood. She
wears brown and gray clothing, which fits in the bleak, colorless world. However, when we
see the Red Death he truly stands out, with his bright red cloak being a marvelous
contrast to this lifeless world. All of it makes the world of Poe come to life. So in the
end, Masque of the Red Death is a great film. It doesn't get everything down correctly,
but what Corman adds to make the film longer works perfectly, creating a near flawless
film. I highly recommend it to any fan of Edgar Allen Poe.
Verdict: Full Price!
That was Rumor control and those… were… That bastard!
(We see the man that HttC has been fretting over the entire review. The man wear a bright
red cloak and a mask of a contorted corpse covered with blood, a symbol of the Red Death.
HttC finally loses his patience.)
HttC: That's It! Friends! Seize that man and make him reveal himself, so that we may hang
him for his insolence!
(HttC pulls a dagger and leads the chase after the mysterious figure. Somehow the figure
is able to move faster than HttC and all of his friends. The figure leads them through
multiple colored rooms, until at last it stops in the black room with the blood red tinted
windows. A grim smile slithers onto HttC's face as he knows the culprit is cornered. He
charges at the figure with the knife, only for the figure to turn and face HttC. HttC
falls down, dead at the figure's feet. HttC's friends are shocked and enraged by this and
all attack the figure at once. They tear away at his cloak and mask… only to reveal
nothing there. They all realize what is happening.)
Volts: Oh… Oh my God!
Burnout: That… That's not possible!
KingJames: Run! Run for lives!
(It's all for not however, as each and every one of them succumb to the disease of the red
Death. Soon, all have perished and the ebony clock strikes twelve, midnight. And Darkness
and decay and The Red Death held illimitable dominion over all!)
killing all outside of the castle walls. Inside, HttC holds a masquerade ball for his
friends whom he is keeping safe from the ravages of the Red Death, yet he refuses to let
anyone else in. The guests are dressed in costumes that range from the humorous to the
macabre. They dance, laugh and make merry, a cruel contrast to the wretched fate held upon
the peasants of the land. We see that HttC is a bit uneasy…)
HttC: Damn him, there he is again! That inconsiderate… Never mind. I shall find out who he
is soon enough, for now I must review the 1964 Vincent Price film, Masque of the Red
Death!
A European prince terrorizes the local peasantry while using his castle as a refuge
against the "Red Death" plague that stalks the land. I love the work of Edgar Allen Poe,
really who doesn't? His tales are dark and scary, filled with great stories, characters
and horror. Through the years some of his work has been adapted to film, and for the most
part they really haven't been true to his tales. However, only man has come close to near
perfection, and that man is B-Movie Legend Roger Corman. Corman has adapted quite a few
works of Poe's to the silver screen, such as The Raven, The Pit and the Pendulum and Fall
of the House of Usher. However, he's never 100% accurate with them, having to throw in
other Poe stories in as well as adding his own ideas or completely deviating from the plot
of the original tale in general. Though can we blame him? Masque of the Red Death, though
an excellent story, wouldn't transition well to the big screen, hell it probably wouldn't
even be an hour long if they got every little detail of it in the movie. So Corman has to
build upon the story, adding other Poe stories in as well as adding in new characters,
characteristics and themes. First thing most Poe fans will realize is that Prince Prospero
is vastly different here then the story. In the story Prospero was just cruel. That fact
remains, however he is now also a Satanist. I actually feel this works well in the movies
favor, giving us a sort of logical reason behind Prospero's immense cruelty other than
simply "He's royalty." It also makes his character more intimidating, seeing that his
Satanic beliefs make him incredibly sadistic and vile, taking pure joy in seeing people
suffer or die. It doesn't even matter who, his best friends could be suffering and
Prospero would just have a joyous time at his friend's unfortunate expense. Another new
addition is… Son of bitch, there he is again! Why that fiend, I swear if he offends
anyone… I'll get back to him… Anyway, another new addition is a subplot based on another
Poe story entitled "Hop Frog". Hop Frog was a story about a little person from a far away
land who was a slave to a cruel king who loved to play cruel pranks. One day when his
friend is insulted, Hop Frog goes about his vengeance on the king and his councilors. That
story, quite frankly, fits perfectly in with the main plot and feels just right. It moves
smoothly and doesn't veer off from the main plot at all. It even follows that tale almost
down to a tee. There are a few new characters as well, each actually serving a purpose and
contributing to the plot. First we have our three main protagonists: Francesca, her father
and her husband Gino. After destroying their village for shits and giggles, Prospero takes
Francesca and her family back to his castle, Francesca becoming a sort of lustful symbol
to Prospero. Francesca goes through quite a bit of character development through the story
as we see her spirit and faith are slowly breaking, up until she nearly accepts Prospero's
beliefs. Too me, Gino and his father in law don't seem to do all too much, and yet I
actually feel sorry for them at many points, perhaps it's Prospero's immense cruelty
towards them that does it. Lastly, we have Juliana, Prospero's… wife? Fiancé? I dunno, but
she's close to Prospero. She doesn't seem to serve too much of a purpose other than to get
the ball rolling a bit, although there is a really interesting scene in the movie when she
"marries" The Lord of the Flies and has a psychedelic dream about being knifed to death by
multiple men from different cultures from around the world. The acting is quite good in
the movie. Price, as always, steals the whole show, however I feel his acting is different
here. You know how in most of his movies he speaks with a sort of charm in his voice?
Making him seem like an incredibly kind and sophisticated man despite being (in his
villainous roles at least) a murderer. Well, he doesn't really have that charm here, which
makes sense. Prospero is a bastard and he damn well knows it, so he doesn't have to hide
behind some façade to seem like a nice guy to people who don't him. He's acts cold and
cruelly throughout the entire film, and he just does a wonderful job at it. Everyone else
does a fine job as well, but really they all do pale next to Price. The set pieces for
Masque are just incredible. The castle's interior looks nice, with Corman actually getting
Prospero's multiple colored rooms down correctly and beautifully, but it's the exterior I
that's truly grand. The outside world reminds me of the old days when Dracula and
Frankenstein were kings, with vast, dark and eerie landscapes and dead forests. It's a
wondrous sight to behold indeed. Another thing I like is in the beginning when we're first
introduced to the Red Death. We open with an old woman gathering sticks for fire wood. She
wears brown and gray clothing, which fits in the bleak, colorless world. However, when we
see the Red Death he truly stands out, with his bright red cloak being a marvelous
contrast to this lifeless world. All of it makes the world of Poe come to life. So in the
end, Masque of the Red Death is a great film. It doesn't get everything down correctly,
but what Corman adds to make the film longer works perfectly, creating a near flawless
film. I highly recommend it to any fan of Edgar Allen Poe.
Verdict: Full Price!
That was Rumor control and those… were… That bastard!
(We see the man that HttC has been fretting over the entire review. The man wear a bright
red cloak and a mask of a contorted corpse covered with blood, a symbol of the Red Death.
HttC finally loses his patience.)
HttC: That's It! Friends! Seize that man and make him reveal himself, so that we may hang
him for his insolence!
(HttC pulls a dagger and leads the chase after the mysterious figure. Somehow the figure
is able to move faster than HttC and all of his friends. The figure leads them through
multiple colored rooms, until at last it stops in the black room with the blood red tinted
windows. A grim smile slithers onto HttC's face as he knows the culprit is cornered. He
charges at the figure with the knife, only for the figure to turn and face HttC. HttC
falls down, dead at the figure's feet. HttC's friends are shocked and enraged by this and
all attack the figure at once. They tear away at his cloak and mask… only to reveal
nothing there. They all realize what is happening.)
Volts: Oh… Oh my God!
Burnout: That… That's not possible!
KingJames: Run! Run for lives!
(It's all for not however, as each and every one of them succumb to the disease of the red
Death. Soon, all have perished and the ebony clock strikes twelve, midnight. And Darkness
and decay and The Red Death held illimitable dominion over all!)
Suggested Collections
Featured in Groups
Prospero: Somewhere in the human mind, my dear Francesca, lies the key to our existance. My ancestors tried to find it. And to open the door that separates us from our Creator.
Francesca: But you need no doors to find God. If you believe...
Prospero: Believe? If you believe you are gullible. Can you look around this world and believe in the goodness of a god who rules it? Famine, Pestilence, War, Disease and Death! They rule this world.
Francesca: There is also love and life and hope.
Prospero: Very little hope I assure you. No. If a god of love and life ever did exist... he is long since dead. Someone... something, rules in his place.
Francesca: But you need no doors to find God. If you believe...
Prospero: Believe? If you believe you are gullible. Can you look around this world and believe in the goodness of a god who rules it? Famine, Pestilence, War, Disease and Death! They rule this world.
Francesca: There is also love and life and hope.
Prospero: Very little hope I assure you. No. If a god of love and life ever did exist... he is long since dead. Someone... something, rules in his place.
© 2011 - 2024 Hailtothechimp
Comments0
Join the community to add your comment. Already a deviant? Log In